Foggy weather is a disaster for a driver. You aren't able to make out where your car is heading and you can never be entirely sure of what lies ahead. And the light from your headlights reflects back and blinds you to the road ahead. It would be even worse if your livelihood depended on driving the vehicle straight along, faultlessly following the center line and still you had to be able to drive at something approaching the speed limit. Editing your images on a poorly calibrated monitor is somewhat like trying to drive in fog. You can make all the corrections you like but you can never be sure of what the end result will be because you simply have no benchmark to judge it against. If your monitor has been set too dark, you'll have a tendency to lift the brightness of your photos too much and they'll end up over-exposed and you lose the detail in the brighter parts of the image. You will see that the opposite applies if your monitor is too bright. If your pictures are printed, or are seen on another, correctly adjusted monitor, all the shadow detail will be destroyed and you'll end up with huge areas of dull black instead of depth and body. Color cast is another area which you need to bear in mind. This can be a result of the light not matching your camera's white balance setting or the automatic white balance might have been fooled by a broad expanse of one color within your image. But it doesn't need to be like this. It is simple to achieve accurate calibration on a modern monitor, utilising one of the many different monitor calibrators which are available, like the Datacolor Spyder 3 Pro, Spyder 3 Elite or ColorMunki Photo. These models are fantastically easy to use, you just have to plug it in, modulate the light in your room and set the software going. The unit will measure the background light level in the room, setting the contrast and brightness on your screen and also check for color balance for superb results. The more complicated units will even stand on the workstation, quietly measuring the light levels and warning you or adjusting the display as needed. Don't assume your eyes can do the job. You will be amazed at how tolerant your eye is of color cast and inaccuracies. While you work on your photograph, your brain will adjust to and compensate for the monitor but when you get your print back, it will just not be right. And you won't get back detail that simply doesn't exist in the print. Purchase a monitor calibrator and don't let fate take the lead any more. Steer that "car" where YOU need it to go!
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To evade getting disoriented on route to the perfect photo, you really must look at a monitor calibration tool?
For more info and reviews of monitor calibrators like the Spyder 3 Pro, go visit this monitor calibration review website.
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