Have you ever listened to your mix and thought its too narrow or that it lacks a good stereo field? To give birth to an cockamamie stereo image, the soundstage needs to be wide and the mix has to sound bona fide in mono. This is one of the hardest things to do. With that said the stereo spread should not be so liberal that the impression is unrealistic. The best way is to try and place each instrument as you would ascertain them play live onstage from the view of the audience. For lesson instruments hard left and hard right. This goes strikingly for guitars and drum toms. Another way is to pan them form the drummer's point of persuasion. The kick drum would be dead center, right in the middle of the mix. The snare drum would be left of center and the hi-hat will be located greatly to the left of the snare drum. You would place the toms and cymbals sharp how they would come into existence on the drum set. Then the guitars (electric and acoustic) can be panned at 10 and 2 o'clock. Then the vocals and bass guitar would be right up the mainstream. Background vocals would be placed just right of center. With this way, you have all your important information in the center and in mono and your supporting cast would be on the outside. Just remember, this is not the only way to do it, as the stage can hold a wide variety of musicians that are playing instruments. There are no set rules, just like everything else in mixing. So rash where you place each instrument, it is very eminent to maintain an erroneous representation of all the instruments. Just keep in mind that when you pan instruments hard left and hard right, you can add phasing problems when the mix is played in mono or pseudo stereo.
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This instructs the mixing engineer on some different ways to create a good stereo image when mixing a song
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